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It was from these mountain clans, steeped in ancient tradition and religious beliefs, that the ninja would acquire their mystical flavoring.

Isolated form the greater portion of Japan in much the same way that the people of the American Appalachians were insulated from the United States, the mountain clans developed into legendary farmers, healers, and weather forecaster with a profound respect for the land that lent them their livelihood. The ninjas of old got their start round about eleven hundred years ago with two separate mountain clans in central Japan – the Iga and the Koga. By 1980, the success of The Ninja and Shogun (which features a ninja or two) opened the doors to the big screen in the form of Chuck Norris’s The Octagon, arguably the first of the ninja exploitation films that leapt out of the trees and onto an unsuspecting American public. Throughout the 1970s, people became more familiar with these mysterious denizens of the shadows when they were featured as the heavies in many a kungfu film. One of the first non-Asian films to feature a ninja was the 1967 James Bond film You Only Live Twice. Like the masters of sneakiness and surprise that they are, ninjas had slowly and quietly been infiltrating the mainstream consciousness of America for quite some time. Martial arts movies were due for a return to the big screen, as packed revivals of Bruce Lee’s Enter the Dragon had shown throughout 1979. Genres of film go through popularity cycles, and every seven to ten years, what was popular then becomes popular again. When an author by the name of Eric Von Lustbader penned a novel called The Ninja that quickly shot to number one on the New York Times bestseller list and stayed perched atop that pyramid for five months, the boys at Cannon smelled a trend that had been steadily building for the past several months. Nary a trend went unscathed as Cannon Films latched on to one flash in the pan after another, producing as many movies as possible under their banner of Cannon Films before the trend died out and the next thing came along. In the 1980s, the powerhouse production tag team of Menahem Golan and his partner, Yoram Globus, assaulted the world with a seemingly endless stream of cinematic swill that quickly became a staple of my early film-watching life.